bugz in the attic release the second single from the inspired debut album back in the dog house,a live favourite and deftly handled cover of yarborough and peoples 1980 bassline heavy dont stop the music. bugz, pioneers of deep and dirty dance music, brought a brimming confidence along with the experimentation of their debut, which glistens with stone cold funk, boogie and disco but remains resolutely contemporary thanks to their immersion in club culture and the broad pool of guest vocal talents at their disposal. for dont stop the music former basement jaxx collaborator sharlene hector was given the task of re doing a bugz favourite, and the result is an out and out west london bruk up twist that takes the basslines from p funk, the soul of the original and a certain pirate radio grit and delivers the very essence of bugz.

remember the infamous scene from the movie deliverance? the one with the retarded kid and the grown man going all out in a play off, an acoustic guitar vs a banjo… anyway, lindstrom finally got around to play & record the banjo he bought in nyc last summer. it takes time to practise & learn to play the banjo. lindstrom needed a year to make the simple banjo-lick used on >the contemporary fix<, the 9th feedelity release. you might think the use of banjo, autoharp & clavinet together with acid squiggles on top of live disco-drums is a most unusual combination? well, here s the soundtrack to deliverance 2006

funky and jazzi housetracks!!!

great deephouse 3 tracker with smooth live instrumentation, beautiful harmonies and detroit style production

10 cool & experimental instrumental hip hop tunes

theo parrish project with live musicians bosts another wonderful 2 track marriage of spiritual jazz and detroit house sounding like 21st century strata east

repeat orchestra (aka stefan schwander aka antonelli electr., rhythm maker, one half of the duo swimmingpool as well as being behind >a rocket in dub<) returns with another 12inch in his purest form of his electronic soul, based around live-performances, orchestral instrumentations and deep house. in a post-modern manner, the >asafa chords ep< operates differently as opposed to the standard sampling clichès of standard house-tunes that we hear on each and every street corner these days. the two pieces follow a minimal yet above the norm musical approach, with tricky and advanced rhythms and a strong groove that lets the listener dive deeper into the world of a one-man-band, who likes to express his version of afro-futuristic housemusic by bringing deep chords, live-played strings and lots more of his personal flavour into his production. . the result is a warm and wonderfully musical expression on the dancefloor that will guaranteed stand out from the rest.

the members of my my met and became friends through common interests in music, but it wasnt until they ended up as neighbours in berlins mitte, that a lifestyle of committed partying, cake baking and long studio sessions lead to their debut release on playhouse >klatta< in early 2005. it was the result of previously downtempo producer lee jones (hefner) working and partying with local berlin djs nick höppner and carsten kleeman, who are residents respectively at panorama bar and watergate. following up their recent fantastic 12inch on circus company butterflies & zebras is beautifully tripped-out expansive ambient house, summer after-hours here we come! recorded live with nick and lee layering fx over the organic percussion as the mix develops. an acid infused bassline is slowly opened out as layers of lush strings and shimmering pads are teased into the arrangement. on moneybowl the boys show the more jacking side of my my. taught and lean with a groove that keeps on evolving, while weird and wonderful bleeps and clicks bounce around the mix. for the remix, john dahlbäck twists the pads from the original and adds his own synth stabs. then pulls out a bassline and arrangement that jumps straight onto the dancefloor

good guys never make it to the top, or so the saying goes. ours is an era in which most of the people who >break through< barely deserve to be allowed to live, never mind have their own radio shows. however, the continued rise of the model aka radu munteanu is almost enough to rekindle your faith in that old adage about cream floating to the surface. the angels unknown fears ep is a prime slice of gigolo action

this ep is an exclusive collaboration between joakim and former minimal compact singer samy birnbach, an offshoot of dj morpheuss compilation >i cant live without my radio< in a punk-funk vein with raw analog synths and fierce guitars (featuring panicos guitarist, memo dumay). on the flip side, we have asked rub n tug, probably the best remixers in 2005, to put their hands on minimal compacts nil nil. gothic electro disco !!

subgreen steve bug charts #1, played by ivan smagghe, ata, dirt crew, dj t., audiofly, radioslave...!!! the second release of the former berlin-kreuzberg wonder boys extraproduktionen. >subgreen< is one of their most soulful and warm songs and perfectly displays their ability to create super deep and slow techhouse music with live instruments.. incl remixes by tobytobias, arto mwambe and a killer edit by mysterious templeton peck !!!

an upbeat punchy latino number complete with the ever present rhythm slaves live instrumental feel, taking things a little more underground, one of the hottest remixers graces the flip danish producer kid massive

phat groovin >ghetto< techno trax by frankie bones !!

starting his musical career at the age of 12, sharooz began playing guitar in punk bands in his native northern ireland during the mid-90s, before beginning to produce dance music and start djing around 1998. his first gigs took the form of live pas, playing alongside the likes of king unique, peace division and inland knights at the legendary smokescreen free parties. soon sharoozs djing profile began to rise, leading to gigs at space and cafe mambo in ibiza, turnmills in london and passion in coalville to name but a few. over the past 7 years sharooz has djed alongside such luminaries as pete tong, marshall jefferson, terry francis and even shaun ryder

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

the title track - one of the best tunes from the album - comes in an alternative version, whereas >sykkelsesong< was recorded live at goa club in rome, italy. >tempo tempo< is a new track, in true l&pt style: spaced out disco

theo parrish and an all-star cast featuring warren harris, marcellus pittman, bill beaver, jerrald james and mellissa botts take you on a deep excursion to the roots of afro-american music with this free-spirited live jam. after setting the mood with live percussion and a thick live bass, a bluesy guitar, cosmic keys with a sun ra vibe, wailing soul vocals, theo s instantly recognizable beat and later a bitter-sweet violin solo all join in and create an unique atmosphere that is totally mesmerizing. the >reprise< on the flip continues in a more stripped down, piano led way. two shining example of sheer musical genius

protagonists of the new german hard techno scene, robert natus and arkus p.,with a great really strong schranz album !!!

limited repress of this classics from aphex twin !!!

classic !!!

perlon s liebling dandy jack & sonia moonaer lassen das klappern nicht. reiche & vielfältige platte die so live klingt wie ein frosch im regen nass ist

let me out is the dirty, gritty offspring of guildford based producers born tricky (jeremy duffy) and mr frisk (ryan stanford). having set up their studio only a year ago these boys have proven themselves as some of the most versatile producers in the business, having turned their hand to drum and bass, house, breakbeat and even live bands in their short production careers. they have engineered for a number of local acts too, enhancing them with their superb production skil

with his stunning releases on raum…musik and steve bug s pokerflat imprint, argy a.k.a. jobim s cousin has earned himself a position as one of today s most promising producers. on cargo edition, the boy from greece shows himself a bit more tool-like - hypnotic percussions drive forward these two excellent dancefloor tracks. comerte (a1) sounds like a bongo band playing live at the gym: this sound reminds us so perfectly of squealing basketball boots, doesn t it? hopefully, your dancefloor is not slippery, either… la revancha del bossa (b2) is a bit less forward, paving the way to daniel stefaniks remix of comerte (b1) with nice bassline action. speaking of the remix - mr. cargo edition himself keeps the crowd driving mad with three minutes of spurring synth modulation. see the people going wild when he finally drops in that redeeming bass drum

incl tantastic patrick chardronnet rmx !! (pokerflat) from the deepest depths of the rural wooded westerwald hills in germany comes the producer duo daniel girresser and michael erb, professionally known as girrèsse & erb. these two old warhorses of electronic music met at a rave in the early 90ies. fascinated by the complexity and the aesthetics of this new, non-natural and repetitive music, they decided to start their own project. they produced their first tracks in a small cellar with rather humble means. these were followed by live acts and releases under of >catch22<.

this four track 12 inch is the 5th release from the album and includes the title track from the artists debut album blue eye blak feat. rasiyah, the acclaimed flowriders remix, an acoustic rendition from the blue eye blak live tour and delgui?s 4lux remix of save a prayer

smooth, sexy, soulful uk house delivered from reel people (with vocals by angela johnson) on the uks no1 house label big one here, folks with a great set of extended house mixes

classic gosub electro trax with low slung, modulated bass lines, off key pads and metallic percussion styles.. all tracks produced live using strictly ancient electrode technology

it should be no surprise to anyone that >e.c.ged< is a brilliant piece of stripped down, rolling detroit-influenced deep techno.acid undertones supply the backbone to this brooding groove, followed closely by layers of sharp percussion and instantly recognisable live analogue effects. coupled with the huge disco horn section make this subtle but dark beast in to somewhat of an epic!it would only be right for matt to get in on the action and his remix under his rekid alias is an exceptional alternative to what is already a class a-side producing a hypnotic floor-filler

housemeister is back with his first 12inch on bnr you might already know him from his great records on bpitch control ?! he has finished his first album ever and >need kick< & >need retro< are the first singles out of it and for sure monster on the dancefloor! housemeister is well know for his analog sounds and his banging live sets & freestyle sessions! in these days it s hard to find producers who do not use digital & plug ins etc. housemeister shows us how to make great rokkin tracks without the new digital world. fist up for housemeister!

powerful tricky minimal / groovin techtracks... previous support: richie hawtin, madga, ricardo villalobos, luciano, steve bug, troy pierce, craig richards, oliver ho, marco carola...

phat bob sinclair remixes - afro tribal house !!

10 days off is in the meantime one of the main festivals for electronic music in europe. every year 1000s of absolutely wicked parties,events,raves go off for full ten days of pleasure, all in ghent , belgium. a festival that once in your live you have to checkout. we are proud to be able to offer the official festival ep. an amazing cocktail of electronic techhouse / techno

electronique audio issues their fourth release. this time imprint regular tom demac has joined forces with the label s new artist duckett on the critical distance e.p. unleashing the new >live< sound of the label. together they have created four dance-floor cuts in keeping with the overall concept of the imprint. on the a-side the opening track >critical distance< blends a distinctive groove alongside a unique vocal line which without doubt catches your attention. tracks >blue rinse hotel< and >obstructed view< combine original ideas with characteristic grooves for more dance-floor pleasure. then to wrap things up >flow forth<, which is a deep, melodic and funky masterpiece... played by karotte & laurent garnier

produced and remixed by great stuff artists trick & kubic. another tremendous tune by f&g. big follow up to >me so sad< and >brown sugar<

inc. classic 2000 and one rmx as le clic producers julien chaptal, noah pepper and aron friedman have combined their forces. amsterdam s hottest new live-act is currently storming dutch dancefloors with a totally fresh approach to dance music. walking the fine line between pumping house and crispy minimalism, le clic is capable of moving any crowd. on their wolfskuil-debute the trio displays many qualities.

part 2 of the juan maclean includes a live version of you cant have it both ways and my time is running out great stuff for the electro heads

gabry fasano is back after his successful first release on alchemy. his new work brings you three unique tracks, flex features a heavy acid bassline with aminimal approach, while the well known loco motion,already featured in the 2nd meganite compilation, has full support by mauro picotto and has been featured in riccardo ferri s live set

following erik rugs original version of >tribute to my people< and its dark electric disco rap vibe, les disques du télégraphe bring us slamming nu funk remixes by l aroye & kÿ. l aroye and his partner in crime kÿ aka romain the keyboard wizard, re-wrote the track keeping the original rap performed by dynamax (of the zulu nation - bronx). the new school boogie beat (the live fender bass and kÿ s furious synth chords) give the remix a fun organic funk arrangement. wait for the first break to come in: there is no way you re gonna escape that chorus of a children s choir singing in french. its gonna be big this summer

elastic breast is a minimal , bassheavy and obscure sounds collage ep. for just one year he has been producing tracks in incorporate his own style to perform live. elastic sounds for dancefloor, deep in percussions...

nice price deal !!! pps work tends toward richly textured, dub-influenced sounds, these are built for the dancefloor on base of live instruments w/disco & post-rock. b f/adam marshall (killer, deep night, antenna) retooling the source w/the dj in mind. 4 very long tracks. ltd 500 w/screened covers

we live in a world filled with potential >axes of evil<. with destruction hiding everywhere, and with everyone surrounded by continents which are infected with violent wars. so it is time to pick up the weapons we use best… and there is no better machine of mental destruction than this series of bone crushing artillery: arms. blessed with powers reaching beyond bullets, daisy-cutters, mines and raging soldiers… the label brings all techno warriors what they need: the pure rage of highly infectious mutant underground techno

they are back - tom ellis & leif, the u.k. minimal revelation! the last months have been busy for these talented guys from wales, as they have been djing, playing live and releasing superb tracks and remixes on labels like logistic, telegraph, mindtours and their own trimsound label. now is the time for >the trimstyle vol. 2 ep< !!

straight from san francisco come little death with a magnificent cover version of we are back originally by sheffields bleepy techno originators lfo this new version takes us straight to modern day with live drums and bass layered up with thick synths and mandatory vocoders on the flip we find a more straight ahead dub for the dancefloors

yes, it is that time again for more funk n follics from those detroit grand pubahs. their 2nd release on their own label detelefunk sees a new version of their hit >big onion<, this different mix is called >filth n dirt touch<. a collaberation with cisco ferriero of the advent on >womans scent ass mix<. finally finishing off with >black matters<, which they have been performing in their live sets for the last year to such great response they decided it was time to release it

1999 classic release produced by san frandiscos iz (aka joshua/circulation) & chicagos dj diz this deep house anthem is a deep and soulful affair with dubby touches lovely live percussion and an hypnotic feel the satisfaction mix peps and steps things up a bit introducing a 303 bass a new female vox snippet sharper hi hats and a little more action in the mid range instrumentation for the last track the guys drop the tempo down and bring in some cheeky latin sounds and extra acid for an end of ep oddity that sounds like an acid disco track when cranked up to +8

never heard about german(hardcore)humor?

avida perfectly fit in with a kind of underground music that was getting all the rage in italy in those days: nonsense music (musica demenziale). the structures were intentionally primitive, often made on cheap electronics. maurizio damis vocals , inspired on early 60s italian singers (to carry on and close the typical 20 years cycle of revivals), such as edoardo vianello, had an appealing mix of trash and humour. avida was essen tially a live band. their performances were a mix of theatre and music, where visuals played a major role. anyway, today some of that music still sounds interesting and not only due to its lyric. in our opinion about the best music alexander robotnik ever made

the jinks productions always feature live instrumentation and this third single is no different featuring tom ashe on synths rhodes and piano remo penstripe on bass and eddy freeman on tambourine supplied with the injection of stormin norman andersons vocals jamie lewis makes it into a sure fire winner

ltd 7inch !!!